The festival is held at the scenic Kisama Heritage Village, located about 12 km from the state’s capital of Kohima. In 2023, the festival attracted an impressive 1.54 lakh visitors. “With only a week left, the construction of the Naga ‘morung’ (traditional huts), which represent the map of Nagaland, has been completed, with final touches now being applied,” said Veyielo Doulo, Director of Tourism, told PTI.
The venue has seen new developments and new permanent structures have been developed for the convenience of travellers. Being the milestone silver jubilee edition, the festival has gained international support, with countries like Japan, Peru, and Wales partnering with Nagaland.
“Japan will participate in cultural and musical performances, as well as conduct workshops on handicrafts. I hope this initiative will strengthen our ties further. Peruvian artists and cultural performers will also take part in various events. I am confident that this collaboration will foster stronger bilateral relations,” said Chief Minister Neiphiu Rio on X.
Convened an inter-departmental meeting with regard to the upcoming Hornbill Festival. Happy to launch a booklet on the Hornbill Festival that contains information on every aspect of the event, as well as the commemorative silver coin for the 25th Edition of the Festival. pic.twitter.com/b3GfxOlfFT
— Neiphiu Rio (@Neiphiu_Rio) November 23, 2024
In preparation for the festival, the state government has launched a massive beautification and cleanup initiative across Nagaland.
Government employees were engaged throughout the day in cleaning and enhancing the appearance of offices and various areas of the state capital. Local residents also joined the effort, cleaning their neighborhoods and wards, while business establishments remained closed until noon.
Chief Secretary J Alam visited Kisama to inspect the ongoing preparations. During his visit, he met with contractors and officials from various departments, emphasizing the importance of completing all projects on schedule.
(Edited by : Jerome Anthony)