The Unauthorised Opera with Kanen Breen and Constantine Costi

The Unauthorised Opera with Kanen Breen and Constantine Costi

It’s got sex, money, glamour, magic and a near-fatal tiger attack. Was there ever a story better suited to being told as an opera?

The wonder is that it has taken until now for Siegfried and Roy: The Unauthorised Opera to hit the stage.

Director Constantine Costi has long been fascinated by the story of Las Vegas legends Siegfried Fischbacher and Uwe Ludwig Horn (he later adopted the name Roy), which he describes as “charming, accessible, bonkers and delicious”.

Kanen Breen: “This is a serious piece but it’s got its tongue jammed in its cheek.”

Kanen Breen: “This is a serious piece but it’s got its tongue jammed in its cheek.”Credit: Rhett Wyman

“They exist as these cultural figures, but you actually don’t know that much about them,” he says. “They were these campy German, Vegas-trashy superstars, and one of them got mauled by a tiger. That’s already great fodder for a piece. Then the discovery that they were lovers really interested me because it was like, ‘My goodness, this is a tragic love story about these two people who were so intertwined’.”

Siegfried and Roy, who were both born in Germany around the time of World War II, met on a cruise liner where Siegfried was working as a magician. The pair hit it off and teamed up, ultimately ending up as Las Vegas headliners drawing big audiences with their over-the-top magic show and trademark big cats. The double-act came to an end in 2003 when Roy was attacked on stage by his beloved white tiger, Mantacore, leaving him profoundly disabled.

Roy Horn (left) and Siegfried Fischbacher with two of their rare white tigers in 1987.

Roy Horn (left) and Siegfried Fischbacher with two of their rare white tigers in 1987.Credit: AP

“They fell out of love but continued living together, and then it all came hurtling towards a violent end,” Costi says.

Operatic tenor and cabaret artist Kanen Breen plays Roy opposite Christopher Tonkin’s Siegfried.

“Their two stories intersect then become one story really,” Breen says. “Siegfried had this fastidious attraction to the technique and technical properties of magic but was potentially not quite as flamboyant as a true magic man might require. Then there was Roy’s dynamism and daring, and the recipe of the two of them coming together was fantastic for both of them.”

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