Michael Caine’s guide to life bursts with legendary anecdotes

Michael Caine’s guide to life bursts with legendary anecdotes
The actor comes over as a charming and grounded man.

The actor comes over as a charming and grounded man.

MEMOIR
Don’t Look Back, You’ll Trip Over
Michael Caine
Hodder & Stoughton, $70

Michael Caine, who was nominated for an Oscar for Alfie in 1966, is now 90, and he says he’s made his last film and published his first thriller. In this deeply charming book he talks to journalist Matthew d’Ancona about his long and extraordinary career.

He filmed those anti-glamorous spy stories The Ipcress File and Funeral in Berlin, became a star in Zulu and did that wonderful Kipling film The Man Who Would Be King with Sean Connery, whose director John Huston said the pair had the skill and the precision of a great vaudeville duo.

Caine says in My Guide to Life (as he calls it), “In a weird way the Second World War was the best thing that ever happened to me – certainly in terms of my health because it got me away from all the pollution and industrial filth around Bermondsey. I basically lived on a farm for six years … I’m sure that all that good country air and food accounts for the fact that I ended up being six foot two.”

Caine worked out early that he wanted to be an actor, and he understudied Peter O’Toole in the play The Long and the Short and the Tall. When O’Toole wanted to know who was in the house, “I said, ‘Er, Peter, don’t ask me about who’s in – but I’ll bring two of them round at the end …’ At the end of the show, and I took them back to meet Peter. It was Katharine Hepburn and Tennessee Williams.”

Caine became friends with playwrights John Osborne and Harold Pinter. You can hear the born anecdotist on every page of this book, but the stories burn brighter for the fact that he is deadly serious.

Michael Caine in the 1964 film <i>Zulu</i>.

Michael Caine in the 1964 film Zulu.

The story of how he was cast in Zulu is riveting – and telling. He only got the role of the tall, posh officer because of the American director Cy Endfield, who was “looking for an actor to play a cockney corporal”. “But Cy went on, ‘You know, you don’t look like a corporal. You look like an officer … Can you do a posh accent?’ he asked. I said, ‘I’ve been in rep for nine years, I can do any accent you want!’ And that was how I got cast in Zulu and how my movie career began.”

That comment with accents is fascinating because we think of Caine as an actor who kept his Cockney accent.

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