It often seems like our world is shaped by computer systems. For artist Tyler Hobbs, these intangible structures are his subject matter, as well as part of his artistic process. Born in Austin, Texas, the artist is best known for his works in NFTs, particularly the “Fidenza” series: a collection of 999 algorithmically generated works that make up one of the most sought-after token-based collections of all time.
In his new exhibition “Mechanical Hand,” at Unit London, which is open through April 6th, he hopes to expand the viewer’s understanding of algorithmically generated art. The exhibition also marks the beginning of an “ongoing partnership” between the gallery and artist.
By developing his own custom algorithms that can generate new visual imagery, Hobbs uses digital tools to inject randomness into his compositions, which are either executed by hand or with plotters and robot arms. The artist seeks to use these IRL tools to show how algorithms can engage with the organic world around them. And with AI at a tipping point, and machine-learning systems becoming more integrated into our lives, the questions around machine interaction in human artmaking have never been more urgent.
Drawing on the historical example of Sol LeWitt—regarded as the father of generative art—as well as abstract art pioneers like Cy Twombly, Hobbs integrates the meticulous precision associated with computers into a process that shows the imperfections of the human hand, using paint, graphite, and pencils. In Aligned Movement (2020), for example, dots of paint swirl in waves across the surface of the paper, dripping like a pointillist waterfall.
“At Unit London, we represent artists who challenge conventions and reflect our ever-changing world,” said Joe Kennedy, co-founder and director of Unit London. “Naturally, as our lives become increasingly digital, our relationship with technology bears more scrutiny. Hobbs’s work speaks to the very core of this relationship—examining the relative strengths and weaknesses of humanity and machinery. Rooted in minimalism and taking inspiration from abstractionists like Agnes Martin and Sol LeWitt, Hobbs’s debut show at Unit London, and his first in the U.K., challenges our understanding of the role of science, code, and mathematics in the creation of life, and art.”
Considered one of the leading generative artists working today, Hobbs has exhibited his work internationally, including at Singapore Art Week, NFT.NYC, and Art Dubai. In addition to “Mechanical Hand,” Hobbs’s work is also currently featured in a solo exhibition at Pace Gallery in New York, on view through April 22nd.
